Probably because I've never identified myself as an artist, I've had trouble parting with the things I've created (yes, especially my offspring, who are both fabulous artists). I'm referring here to things I've made and crafted. What does one do with all the "stuff" of creation? My attachment to successful endeavors is now becoming a problem to be solved, so this year I resolved to USE UP what I've collected. If you've followed this blog, you know that last month, I cut up my tie-dyed fabric to use in fabric books. Last week I cut up some marbled paper I made. And as I told my seat-mate, Nancy, at our calligraphy workshop, I'm humbly proud of the results.
As is the tradition for a Utah Calligraphic Artist's workshop, each participant has a role to play. This year I was assigned the "Thank You" book for Mike Kesceg's Pointed Pen extravaganza. The guild has waited FOUR YEARS for him, and the wait was worth it. He is probably one of the most technically perfect pointed pen experts, internationally. Here is one of the greatest ideas, and the thing that made it worth the time, effort, and money: "Make it your own. Don't do it just because this is how someone else does it, find your own unique style. And then be consistent." Can I tell you how many workshops I've attended with the opposite message? Most of them. So it was refreshing to have PERMISSION to be uniquely, individually, myself.....as if I need permission. How can anyone ever be something they're not? I've spent a lifetime trying, and finally have given up.
So, here is my thank you book, with the disclaimer that a few unique individuals did it their own way, and so the book has a random quality not planned (but since I'm random, I guess it only follows.)
This is a tag book, aka flag book. The blue and green tags were supposed to be opening to the right, and the buff colored was supposed to "flag" to the left. I didn't have the heart to make people do it over, so we just "went with it."
What does this book have to do with the blog title of parting with my children? Well, the marbled paper is one I made, so it's one of my "children", and I cut up the original for the book cover, without making a copy. (The Clutter Rehab book I'm working with suggests saving only photos of things we like.) The lower photo is not quite color accurate, but you get the gist, and the opened flag book is more true to color. It was tied closed with blue grosgrain ribbon. The size was about 6 3/4 by 4 1/4, opening up to about 15 inches.
Now, all I need to do is get rid of the children in my house that look like books, or greeting cards, or paste paper, or monoprints, or ......
Showing posts with label marbled paper. Show all posts
Showing posts with label marbled paper. Show all posts
Wednesday, April 13, 2011
Saturday, April 10, 2010
Barbara Close, with Textured Letters, Comes to Town

Waaay back in Spring of 2007, I picked up the new Somerset Studios Magazine and fell in love with the textured versal exemplars of Barbara Close. I've looked at the article so many times and wanted to try it, but the old F-E-A-R demons kept telling me I needed to learn more, know more.....
No More. I've just spent two wonderful days playing with my lettering artist friends (who are far more talented than I), and here is a little sample of our time together. (The best thing about posting on a blog is you can't see the other artists' work, so you can't compare, and now that I'm home, neither can I.)
I used my own hand marbled paper to cover the journal. Inside are black accordion fold pages where I will glue my finished samples. They are still a work in progress, and hopefully, you'll get to see some new ones soon.
Thanks for stopping by.


Labels:
Barbara Close,
marbled paper,
textured letters,
workshop
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